What can poets do when faced with the archive and what it holds or excludes? How might poets open, dismantle, excavate, interrogate, reshape and/or expand the archive? How might a poem itself become an archive? The poems and other contributions within this issue of Rabbit offer us several possible responses and keen insights. Contributors include: Brenda Saunders, Rozanna Lilley, Willo Drummond, Rachael Mead, Laurie Duggan, Isabella G Mead, Petra White, Bonny Cassidy, Lauren Russell, Angela Gardner, Janaka Malwatta and more.

Edited with Anne Casey. Published by RMIT University.

This book serves as the exhibition catalogue for ‘The Measure of Your Dwelling: Singapore As Unhomed’, an exhibition that was presented at the ifa Galleries Berlin and Stuttgart.

Curated by Jason, the exhibition served as an exploration of fast-moving Asian cities and the voices within them, focusing specifically on Singapore.

Jointly edited by Jason and Cyril Wong, SOFTBLOW poetry journal celebrates twelve years of publishing poetry in English, from the widely acclaimed and deeply experienced, to the youthful and urgent.

This anthology consists of work by Ann Ang, Mariko Nagai, Pooja Nansi and Arthur Yap, Aazam Abidov, Sherman Alexie, Kimberly Blaeser, Ingrid de Kok, Kristine Ong Muslim, Mariko Nagai, Murat Nemet-Nejat, Alicia Suskin Ostriker, Laksmi Pamuntjak, Simon Perchik, Marge Piercy, Jeet Thayil, Tim Tomlinson and Ocean Vuong, among others.

Interviews written by Ny Yi-Sheng and edited by Jason Wee, SQ21 is the first compendium of its kind to provide crucial visibility to the queer community in Singapore. SQ21 contains portraits and life stories by 15 individuals and their experiences around queer life in Singapore.

To celebrate over a decade of work, this book gathers 11 interviews with a generation of artists who have collaborated with Grey Projects over the past 11 years.

The artists speak about everything from their practice to the spaces that augment and constrict that practice, as well as their personal motivations, inspirations and struggles.

The book highlights Grey Project’s role as a space for development, contention and conversation for these artists, as well as the importance of artist-led initiatives and spaces.

Boring Donkey Songs is a collection of recent writings by the artist Lee Wen. Diaristic and full of raw emotion, these writings are extensions of Wen's acclaimed performance practice, his way of continuing a decades-long commitment to the movement, singing and other live arts.

Accompanied by responses from a younger generation of artists and writers, including Luca Lum, Bruce Quek and Kelvin Atmadibrata, Boring Donkey Songs is a crucial document of the recent life and times of one of Singapore's important contemporary artists.