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    <loc>https://jasonwee.com/commonplace</loc>
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    <lastmod>2024-04-24</lastmod>
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      <image:title>Commonplace</image:title>
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      <image:title>Commonplace - Commonplace (June-July 2019), opening, Objectifs Gallery Singapore</image:title>
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      <image:title>Commonplace - Commonplace (2019), Objectifs Gallery Singapore</image:title>
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      <image:title>Commonplace</image:title>
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      <image:title>Commonplace</image:title>
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      <image:title>Commonplace</image:title>
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  <url>
    <loc>https://jasonwee.com/masterplan</loc>
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    <lastmod>2019-09-07</lastmod>
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      <image:title>Master Plan</image:title>
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      <image:title>Master Plan</image:title>
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      <image:title>Master Plan</image:title>
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      <image:title>Master Plan</image:title>
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      <image:title>Master Plan</image:title>
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  <url>
    <loc>https://jasonwee.com/edited</loc>
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    <priority>0.75</priority>
    <lastmod>2024-04-24</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5caf94c16a590001b118fd/1713936805809-7XKDSP3I2SI7XZR9KX9D/%5B2023%5D+Rabbit+38+Archive.jpeg</image:loc>
      <image:title>Edited - Rabbit journal issue 38</image:title>
      <image:caption>What can poets do when faced with the archive and what it holds or excludes? How might poets open, dismantle, excavate, interrogate, reshape and/or expand the archive? How might a poem itself become an archive? The poems and other contributions within this issue of Rabbit offer us several possible responses and keen insights. Contributors include: Brenda Saunders, Rozanna Lilley, Willo Drummond, Rachael Mead, Laurie Duggan, Isabella G Mead, Petra White, Bonny Cassidy, Lauren Russell, Angela Gardner, Janaka Malwatta and more. Edited with Anne Casey. Published by RMIT University.</image:caption>
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      <image:title>Edited - Rabbit journal issue 38</image:title>
      <image:caption>What can poets do when faced with the archive and what it holds or excludes? How might poets open, dismantle, excavate, interrogate, reshape and/or expand the archive? How might a poem itself become an archive? The poems and other contributions within this issue of Rabbit offer us several possible responses and keen insights. Contributors include: Brenda Saunders, Rozanna Lilley, Willo Drummond, Rachael Mead, Laurie Duggan, Isabella G Mead, Petra White, Bonny Cassidy, Lauren Russell, Angela Gardner, Janaka Malwatta and more. Edited with Anne Casey. Published by RMIT University.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5caf94c16a590001b118fd/1567065879858-V2ER02INEP4HW3K2X7GQ/Singapore+As+Unhomed.jpg</image:loc>
      <image:title>Edited - Singapore As Unhomed (2015)</image:title>
      <image:caption>This book serves as the exhibition catalogue for ‘The Measure of Your Dwelling: Singapore As Unhomed’, an exhibition that was presented at the ifa Galleries Berlin and Stuttgart. Curated by Jason, the exhibition served as an exploration of fast-moving Asian cities and the voices within them, focusing specifically on Singapore.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5caf94c16a590001b118fd/1567065902035-PPTIZZOLWI22DZ0N06V6/We+Contain+Multitudes+12+Years+of+Softblow.jpg</image:loc>
      <image:title>Edited - We Contain Multitudes: Twelve Years of SOFTBLOW (2016)</image:title>
      <image:caption>Jointly edited by Jason and Cyril Wong, SOFTBLOW poetry journal celebrates twelve years of publishing poetry in English, from the widely acclaimed and deeply experienced, to the youthful and urgent. This anthology consists of work by Ann Ang, Mariko Nagai, Pooja Nansi and Arthur Yap, Aazam Abidov, Sherman Alexie, Kimberly Blaeser, Ingrid de Kok, Kristine Ong Muslim, Mariko Nagai, Murat Nemet-Nejat, Alicia Suskin Ostriker, Laksmi Pamuntjak, Simon Perchik, Marge Piercy, Jeet Thayil, Tim Tomlinson and Ocean Vuong, among others.</image:caption>
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      <image:title>Edited - SQ21: Singapore Queers In The 21st Century (2007)</image:title>
      <image:caption>Interviews written by Ny Yi-Sheng and edited by Jason Wee, SQ21 is the first compendium of its kind to provide crucial visibility to the queer community in Singapore. SQ21 contains portraits and life stories by 15 individuals and their experiences around queer life in Singapore.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5caf94c16a590001b118fd/1567065915090-J54LXDHTNJ86SZD8COBR/11+Years+11+Interviews.jpg</image:loc>
      <image:title>Edited - 11 Years, 11 Interviews (2019)</image:title>
      <image:caption>To celebrate over a decade of work, this book gathers 11 interviews with a generation of artists who have collaborated with Grey Projects over the past 11 years. The artists speak about everything from their practice to the spaces that augment and constrict that practice, as well as their personal motivations, inspirations and struggles. The book highlights Grey Project’s role as a space for development, contention and conversation for these artists, as well as the importance of artist-led initiatives and spaces.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5caf94c16a590001b118fd/1567065926716-3XX4190AJLES3R1ECWQ9/Boring+Donkey+Songs.jpg</image:loc>
      <image:title>Edited - Boring Donkey Songs (2017)</image:title>
      <image:caption>Boring Donkey Songs is a collection of recent writings by the artist Lee Wen. Diaristic and full of raw emotion, these writings are extensions of Wen's acclaimed performance practice, his way of continuing a decades-long commitment to the movement, singing and other live arts. Accompanied by responses from a younger generation of artists and writers, including Luca Lum, Bruce Quek and Kelvin Atmadibrata, Boring Donkey Songs is a crucial document of the recent life and times of one of Singapore's important contemporary artists.</image:caption>
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  <url>
    <loc>https://jasonwee.com/doto</loc>
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    <priority>0.75</priority>
    <lastmod>2019-10-17</lastmod>
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      <image:title>Dances on Their Own</image:title>
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      <image:title>Dances on Their Own</image:title>
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      <image:title>Dances on Their Own</image:title>
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  <url>
    <loc>https://jasonwee.com/labyrinths</loc>
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    <lastmod>2019-08-28</lastmod>
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      <image:title>Labyrinths</image:title>
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      <image:title>Labyrinths</image:title>
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      <image:title>Labyrinths</image:title>
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      <image:title>Labyrinths</image:title>
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      <image:title>Labyrinths</image:title>
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      <image:title>Labyrinths</image:title>
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  <url>
    <loc>https://jasonwee.com/writing</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-02</lastmod>
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  <url>
    <loc>https://jasonwee.com/writing/thus-far</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-02</lastmod>
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  <url>
    <loc>https://jasonwee.com/writing/interviews</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-02</lastmod>
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  <url>
    <loc>https://jasonwee.com/writing/about-poetry</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-02</lastmod>
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  <url>
    <loc>https://jasonwee.com/written</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-04-24</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5caf94c16a590001b118fd/1713941403391-727Q5K81QDD3EQ7RCIN8/Undesirable+Book+in+Hand.jpg</image:loc>
      <image:title>Written/Contributed - From A (Undesirable) Diary</image:title>
      <image:caption>‘From A (Undesirable) Diary’, Wee’s fourth poetry collection is an imaginative reconstruction of a history of permission and prohibition in the Malayan Peninsula. Through excerpts from a fictive publisher’s diary, Wee trace encounters and negotiations with the censor and the censored, beginning just before the implementation of the laws against ‘undesirable publications.’ The central section carries us into the difficulties of making literature in the present, each diary entry a record of single painful incidents, each a study of our acts of reading both the printed word and the world. The devastating final section acknowledges the history of books and bookmaking as a history of foreclosures, while staying alert to art’s possibilities.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5caf94c16a590001b118fd/1713941403391-727Q5K81QDD3EQ7RCIN8/Undesirable+Book+in+Hand.jpg</image:loc>
      <image:title>Written/Contributed - From A (Undesirable) Diary</image:title>
      <image:caption>‘From A (Undesirable) Diary’, Wee’s fourth poetry collection is an imaginative reconstruction of a history of permission and prohibition in the Malayan Peninsula. Through excerpts from a fictive publisher’s diary, Wee trace encounters and negotiations with the censor and the censored, beginning just before the implementation of the laws against ‘undesirable publications.’ The central section carries us into the difficulties of making literature in the present, each diary entry a record of single painful incidents, each a study of our acts of reading both the printed word and the world. The devastating final section acknowledges the history of books and bookmaking as a history of foreclosures, while staying alert to art’s possibilities.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5caf94c16a590001b118fd/1713935994927-D90UJDVT73BOK24W2V9G/In%2BShort%2BFuture%2BNow%2Birl%2BCover.jpg</image:loc>
      <image:title>Written/Contributed - In Short, Future Now</image:title>
      <image:caption>‘In Short, Future Now’ claims the imaginative terrain of Asia as one of flooded ruins and mobile islands, and as times of repair and self-interrogation. Taking cues from renga and haiku forms, In Short, Future Now is a single poetic sequence where Asia appears as an archive of the future, one always already at the cusp of arrival. This is Asia as an event, a post-authoritarian territory, a body in the aftermath of new pathologies and surveillance, a demand, a Fermi question, a wilder post-super-future Asia. A finalist for the Gaudy Boy Poetry Prize. Received the Singapore Literature Prize 2022 Judges’ Citation.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5caf94c16a590001b118fd/1566973574070-AR0THIACGH914YGXUTNI/JW+AEODD+Cover.jpg</image:loc>
      <image:title>Written/Contributed - An Epic of Durable Departures (2018)</image:title>
      <image:caption>This poetry collection stands as a record of a friendship between two artists, Lee Wen and Jason, formed in the shadow of illness and mortality. Using the renga and haiku as departure points, Wee wrestles with the limits of art and the document, opening with obituaries and ending with a renewed beginning. stands as a record of a friendship between two artists, Lee Wen and Jason, formed in the shadow of illness and mortality. Using the renga and haiku as departure points, Wee wrestles with the limits of art and the document, opening with obituaries and ending with a renewed beginning. A Singapore Literature Prize finalist 2020</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5caf94c16a590001b118fd/1566973583338-FRPT2MUPMHLLB3GOT8DD/JW+TMBU+Cover.jpg</image:loc>
      <image:title>Written/Contributed - The Monsters Between Us (2013)</image:title>
      <image:caption>In his debut poetry collection, Jason Wee returns to ‘1987’, the installation work he first introduced to art audiences at the first Singapore Biennale in 2006. The monsters Wee renders are present creatures, some cruelly alive, each shadowed by a long tail of mastery and mortality. Composed from newsprint, detainee reports, speech transcripts and redacted accounts, this bravura sequence is suffused with the songs of childhood and the anger of unaccounted injustices. A Today newspaper Top Art Pick of the Year.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5caf94c16a590001b118fd/1566973699925-BLR1X5PCDMELPTHYPNM7/JW+Tongues+Cover.jpg</image:loc>
      <image:title>Written/Contributed - Tongues (2012)</image:title>
      <image:caption>The hospital air conditioner is in need of service again, 4 bodies awaiting identification and autopsy, wake up at the morgue, in anticipation of the afterlife, if there is one. What happens when the air conditioner is finally repaired and the cold temperature is restored? How do you express yourself, if you believe that your body cannot be expressive? The text is devised in part from stories gathered through surveys, interviews, and playback theatre sessions. A commission for the Singapore Fringe Festival, premiered at the National Museum Singapore.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5caf94c16a590001b118fd/1567065754611-47PFAJ89OSRMDQHOCBZO/Singapore+Eye+Contemporary+SG+Art.jpg</image:loc>
      <image:title>Written/Contributed - Singapore Eye: Contemporary Singapore Art</image:title>
      <image:caption>An essential and comprehensive book on contemporary art in Singapore today. Singapore Eye features seventy-five of the country’s most dynamic contemporary artists, as well as contributions by experts tracing the origins and history of artistic development in Singapore.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5caf94c16a590001b118fd/1567065772008-0W3VKXFAHPALWCPYY2TS/Godsmacked.jpg</image:loc>
      <image:title>Written/Contributed - Godsmacked</image:title>
      <image:caption>Through the 90-odd paintings in this book, Teng Jee Hum hopes to share his feelings about what it has been like to be a Singaporean in the last 50 years or so. Many of the images are the artist’s take on the first Prime Minister of Singapore and his policies in governing Singapore. Jason’s critiques of Teng’s work are included in this book. They appear alongside critiques by Singaporean curator Seng Yu Jin and Chinese curator and art critic Mei Huang.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5caf94c16a590001b118fd/1567065778224-HS3UNCL7QIWWXTVMKN5J/UnFree+Verse.jpg</image:loc>
      <image:title>Written/Contributed - UnFree Verse</image:title>
      <image:caption>Rhyme is Shakespeare. Rhythm is rap. Sing Lit is free verse. If you’ve ever had such thoughts, let this book demolish them. With poems drawn from 80 years of print and online material, UnFree Verseilluminates an important but overlooked aspect of Singapore’s literary history: formal poetry in English. In this collection, the formal poem becomes a focal point for the duelling forces of repetition and improvisation, standards and Englishes, freedom and boundaries. Might these constraints be fertile soil for creativity in a city like Singapore?</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5caf94c16a590001b118fd/1567065781897-HLBT75XR3N8I3BT4TGE1/Lines+Spark+Code.jpg</image:loc>
      <image:title>Written/Contributed - Lines Spark Code</image:title>
      <image:caption>A collection occasioned by the Ministry of Education’s desire to include the study of Singapore poetry for the A-levels. Lines Spark Code gathers their poems into a movement to ground the study of English poetry on Singapore soil. This is a project that will bring teachers and students into face-to-face dialogue with the very poets whose lines will spark code-making in brilliant Singaporean essays yet to be written.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5caf94c16a590001b118fd/1567065786684-1DDMJTSZWOP7MYC1RQ1T/A+Luxury+We+Must+Afford.jpg</image:loc>
      <image:title>Written/Contributed - A Luxury We Must Afford</image:title>
      <image:caption>What does the future of Singapore hold? In 2015, the anthology A Luxury We Cannot Afford commemorated 50 years of man-made myth — and whether the 1969 assertion that "poetry is a luxury we cannot afford" still held true in the 2010s. But instead of looking back, this companion volume to the first looks forward to everything after SG50 and beyond. In this uncertain future, poetry is a luxury we must afford.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5caf94c16a590001b118fd/1567065792155-5BD4MM9G0BHRRKH1WTEN/PlaceLabourCapital.jpg</image:loc>
      <image:title>Written/Contributed - Place Labour Capital</image:title>
      <image:caption>Place.Labour.Capital., published by NTU Centre for Contemporary Art Singapore (NTU CCA Singapore) and Mousse Publishing, connects cultural production and artistic research to broader political and social concerns, engaging readers with contemporary debates in Southeast Asia and beyond. Unfolding across four broad sections of “The Making of an Institution,” “The Geopolitical and the Biophysical,” “Incidental Scripts,” and “Incomplete Urbanism,” this publication reads as an exhibition.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5caf94c16a590001b118fd/1567065796410-9PVQG4WSB7OUUDCRHAJ7/Best+New+SG+Short+Stories+Vol+Three.jpg</image:loc>
      <image:title>Written/Contributed - The Epigram Books Collection of Best New Singaporean Short Stories: Volume Three</image:title>
      <image:caption>The Epigram Books Collection of Best New Singaporean Short Stories: Volume Three gathers the finest Singaporean stories published in 2015 and 2016, selected by guest editor Cyril Wong. This volume features short story contributions from Jason, alongside works by Eva Aldea, Joelyn Alexandra, Jennifer Anne Champion, Andrew Cheah, Clara Chow, Noelle Q. de Jesus, Melissa De Silva, SC Gordon, Jon Gresham, Philip Holden, Amanda Lee Koe, Su Leong, Leonora Liow, Manish Melwani, Sam Ng, Nuraliah Norasid, O Thiam Chin, Jollin Tan, Verena Tay, Jason Wee, Daryl Qilin Yam, Yeo Wei Wei, Yeoh Jo-Ann, Yeow Kai Chai, Ovidia Yu, and Andrew Yuen.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jasonwee.com/quorafora</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-05-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5caf94c16a590001b118fd/1714733459133-HDPNCNOLU6EVKI2BUZKK/SB_WildRice_JasonWee_1920pxX1080px_3-01.jpg</image:loc>
      <image:title>Quora Fora</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5caf94c16a590001b118fd/1714733459133-HDPNCNOLU6EVKI2BUZKK/SB_WildRice_JasonWee_1920pxX1080px_3-01.jpg</image:loc>
      <image:title>Quora Fora</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5caf94c16a590001b118fd/1714733649006-X07UUAIHEFRY5L9CPS0G/image-asset.jpeg</image:loc>
      <image:title>Quora Fora - Quora Fora: A Rehearsal, 2019, at WildRice Theatre Singapore</image:title>
      <image:caption>A 2019 Singapore Biennale commission, premiere at Wild Rice Theatre, Funan Centre Singapore. Ongoing work.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5caf94c16a590001b118fd/1714733526848-YTEB6QVIPB67I8BG6JH1/Patrick+at+QF.png</image:loc>
      <image:title>Quora Fora</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5caf94c16a590001b118fd/1714733533684-4AKPME9B0A3VF6JBO0YJ/QuoraForaARehearsal+March+2020+by+Isabelle+Desjeux.jpg</image:loc>
      <image:title>Quora Fora</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5caf94c16a590001b118fd/1714733751727-NHU5KPOW7X8T012VMMF8/Jason-Wee-Quora-Fora-A-Rehearsal-2020+from+SingArt+GalleryGuide.jpg</image:loc>
      <image:title>Quora Fora</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jasonwee.com/about</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-02</lastmod>
  </url>
  <url>
    <loc>https://jasonwee.com/exhibitions</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-05-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5caf94c16a590001b118fd/1566962934804-XSDB3GLSISBH747CKSYK/Commonplace+JW+3.jpg</image:loc>
      <image:title>selected exhibitions</image:title>
      <image:caption>Commonplace (2019)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5caf94c16a590001b118fd/1566962586741-2QP1DTTTVK9UH8OWR51W/Lab+JW+1.jpeg</image:loc>
      <image:title>selected exhibitions</image:title>
      <image:caption>Labyrinths (2017)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5caf94c16a590001b118fd/c4775537-48b9-43be-b7a8-fbf382dce2e0/Quora+Fora+A+Rehearsal%2C+SingaporeBiennale2019+Commission%2C+at+WildRice+Theatre+-+photo+credit+-+Eileen+Goh.jpg</image:loc>
      <image:title>selected exhibitions - Make it stand out</image:title>
      <image:caption>Quora Fora: A Rehearsal (2019-ongoing), Singapore Biennale commission</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5caf94c16a590001b118fd/1566962990583-GH4F3ZMPYAF3F1U2YREZ/DOTW+JW+Dusk.jpg</image:loc>
      <image:title>selected exhibitions</image:title>
      <image:caption>Dances on Their Own (2019)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5caf94c16a590001b118fd/878492c9-d6d1-4233-b5e6-a93bbe6958ed/Uncommon++Choreographies%2C+10+panels%2C+82.5cm+x+50cm+each+panel+%282020%29%2C+Jason+Wee.jpg</image:loc>
      <image:title>selected exhibitions</image:title>
      <image:caption>Uncommon Choreographis (2020)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5caf94c16a590001b118fd/1576829627250-IOLIC1UDR9ZOGAILZDSY/Solamalay_271119_11188.jpg</image:loc>
      <image:title>selected exhibitions</image:title>
      <image:caption>Points of Articulation (2019)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5caf94c16a590001b118fd/1566967352491-CEDZ8VX7VQ9Z0RCAA9Q6/MP+JW+2.jpeg</image:loc>
      <image:title>selected exhibitions</image:title>
      <image:caption>Master Plan (2012)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jasonwee.com/home</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2024-04-24</lastmod>
  </url>
  <url>
    <loc>https://jasonwee.com/new-page</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-09-07</lastmod>
  </url>
  <url>
    <loc>https://jasonwee.com/books</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-04-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5caf94c16a590001b118fd/1567066381900-J6S38WK0DXIYMQ1BBW80/Singapore+As+Unhomed.jpg</image:loc>
      <image:title>written, written for, edited - edited</image:title>
      <image:caption>Edited Works</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5caf94c16a590001b118fd/1566972212391-T20OQ03LT9WVD9NYX19V/JW+AEODD+Cover.jpg</image:loc>
      <image:title>written, written for, edited - written, written for</image:title>
      <image:caption>Written Works</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jasonwee.com/grey-projects</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-09-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5caf94c16a590001b118fd/1567848010417-2JVYX06KC1066NRMX1OR/Grey+Project+Library+Space+.jpg</image:loc>
      <image:title>GREY PROJECTS</image:title>
      <image:caption>Grey Projects is an independent art space run by Jason. It serves as an exhibition space, produces its own publications and features a private library. Furthermore, it hosts artist residencies.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jasonwee.com/solamalay</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-12-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5caf94c16a590001b118fd/1576829967866-H5P0QIEIYE0HMY45383Y/Solamalay_Points+of+Articulation_02.jpg</image:loc>
      <image:title>Points of Articulation</image:title>
      <image:caption>A Line Has No Gender Or Race (?), 2019 diptych, each panel 40cm by 50cm, watercolor, watercolor pencil, ink on Fabriano paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d5caf94c16a590001b118fd/1576829980234-4269CXMFA7DX1HO3NTJK/Solamalay_Points+of+Articulation_01.jpg</image:loc>
      <image:title>Points of Articulation</image:title>
      <image:caption>(right) A Line Has No Gender Or Race (?), 2019</image:caption>
    </image:image>
  </url>
</urlset>

